![\"Figure](\"https:\/\/noezgames.com\/wp-content\/uploads\/2019\/10\/DoA_Team21_blog_02_picture_01.jpg\")
<\/a><\/p>\nFigure 1 \u2013 left the armory \u2013 3DS Max, dressing right of human character builder \u2013 Unity (my work and Arbiter)<\/h4>\n
It once happened that I was at a social event, I ran into a man whom I have not seen for some time and of course I also got talking about the development of our game. She told me about her brother, who apparently plays with graphics and may be interested in our project. I got his contact, and to our team was added our first graphic artist \u2013 Jarda \u0160., who also worked well with Unity (the engine we had chosen for the creation of our games by our programmer Arbiter).
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\nSoon I got the first models of buildings, objects and environment from Jarda, and it was shaping up to be the first truly great scene. It is the capital of LIM.<\/p>\n So we have the minimum number of members for creating games. A game designer, programmer and graphic designer. So we got started with the creation of a real scenario, sketching out first drafts and concepts. Whether for combat mechanics or for the environment. Furthermore, I still continued to look for other team members. Surely we would need more graphics, not only 3D but also 2D texturers or other artists, to art-sketch. Over the next few months, I managed to recruit a few other candidates, but unfortunately they just stopped communicating. Working with us while being preoccupied with other projects (working part-time elsewhere, finishing a thesis, writing final exams, etc. ..), Arbiter works full time elsewhere too and the game is programmed only in the evenings, but proceed we did. When suddenly Jarda announces that he is forced to terminate the partnership with us, and that he is to work on some other project of his own. It was a heavy blow for us, \u2019cause he was the one who worked more or less all the time. Lim created the first basic concept of a 3D city environment, made the first dungeon, and much much more. \nSo I was therefore forced to start a little harder to raise potentials for new graphics. At the same time, I enrolled in the spring on several courses (Unity, 3Ds Max, C, etc.), where I hoped that not only might I pick something up, but I also that I would get to know people who may decide to join us at a later stage. That\u2019s how I was hunting for by other colleagues, but I\u2019ll leave for another part of my blog.<\/p>\n<\/a><\/p>\nFigure 2 \u2013 Capital Lim presented by Jarda<\/h4>\n
Working on full throttle \u2013 December 2012<\/h5>\n
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\nAt the same time began the first problems. For models that use the power vertex\u2019s, moving the hexes is not as simple as we had thought and more and more problems emerged that are inherent to any game development.
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\n<\/a><\/p>\nFigure 3 \u2013 The first sighting mechanics of walking on hexes + preview GUI in combat (avatars taken from Icewind Dale)<\/h4>\n
\n<\/p>\n<\/a><\/p>\nFigure 4 \u2013 Dungeon performed by Jarda S.<\/h4>\n
The first major problem \u2013 February 2013<\/h5>\n
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\n<\/a><\/p>\nFigure 5 \u2013 Other Jarda work<\/h4>\n