{"id":67413,"date":"2014-05-15T18:56:26","date_gmt":"2014-05-15T16:56:26","guid":{"rendered":"http:\/\/noezgames.com\/?p=67413"},"modified":"2019-10-14T18:57:28","modified_gmt":"2019-10-14T16:57:28","slug":"finalni-sestava-tymu","status":"publish","type":"post","link":"https:\/\/noezgames.com\/?p=67413","title":{"rendered":"Fin\u00e1ln\u00ed sestava t\u00fdmu"},"content":{"rendered":"

Toto by m\u011bl b\u00fdt posledn\u00ed blog z \u010d\u00e1sti o na\u0161em t\u00fdmu. P\u00e1\u010d od t\u00e9to f\u00e1ze u\u017e se toho tolik nezm\u011bnilo. J\u00e1dro t\u00fdmu je kompletn\u00ed a s mal\u00fdmi pauzami a obm\u011bnami v t\u00e9to sestav\u011b pracujeme dodnes. V tomto blogu v\u00e1m p\u0159edstav\u00edm v\u0161echny \u010dleny, kte\u0159\u00ed se aktivn\u011b pod\u00edlej\u00ed na na\u0161em projektu. Rozhodn\u011b netvrd\u00edm, \u017ee se to v budoucnu nezm\u011bn\u00ed.
\n<\/p>\n

Ladislav \u201cNefarit\u201d \u0160tojdl<\/h3>\n

Jak u\u017e v\u011bt\u0161ina z v\u00e1s v\u00ed, jsem to j\u00e1. To jak jsem s projektem za\u010d\u00ednal, zde rozv\u00e1d\u011bt nem\u00e1 cenu, p\u00e1\u010d u\u017e jste se o tom mohli do\u010d\u00edst v p\u0159edchoz\u00edch \u010d\u00e1stech blogu. Pov\u00edm v\u00e1m tedy n\u011bco m\u00e1lo o sob\u011b a o tom, co na projektu d\u011bl\u00e1m.
\n
\nM\u00e1m vystudov\u00e1no n\u011bkolik \u0161kol se zam\u011b\u0159en\u00edm na stroj\u00edrenstv\u00ed (velk\u00fd p\u0159\u00ednos k designu:)). Na konec se mi povedlo dokon\u010dit aj \u010cVUT, tak\u017ee i toho in\u017een\u00fdra jsem doklepal. Nicm\u00e9n\u011b po dokon\u010den\u00ed studi\u00ed, jsem zjistil, \u017ee stroja\u0159inu opravdu d\u011blat nechci. A to co d\u011blat chci, jsou hry. Tak jsem tedy za\u010dal jako game designer.
\n
\n\"vlevo<\/a><\/p>\n

Obr\u00e1zek 0 \u2013 moje p\u0159edchoz\u00ed pr\u00e1ce; vlevo sou\u010d\u00e1st diplomov\u00e9 pr\u00e1ce \u2013 p\u0159esn\u00fd model kol\u00e9bky pro fr\u00e9zku, vpravo model zbrojnice<\/h4>\n

\nMoment\u00e1ln\u011b na h\u0159e Aledorn d\u011bl\u00e1m game design, management, sc\u00e9n\u00e1\u0159 a cel\u00e9 to prost\u011b vedu, aby to n\u011bjak fungovalo a \u0161oupalo se d\u00e1l a to ide\u00e1ln\u011b ke zd\u00e1rn\u00e9mu c\u00edli. Na\u0161t\u011bst\u00ed mi se spoustou z t\u011bchto \u00faloh pom\u00e1haj\u00ed kolegov\u00e9, kter\u00e9 z\u00e1hy p\u0159edstav\u00edm.
\n<\/p>\n

Martin \u201cArbiter\u201d Mik\u0161<\/h3>\n

Arbiter na Aledornu pracuje ji\u017e od po\u010d\u00e1tku. Je to vlastn\u011b prvn\u00ed \u010dlov\u011bk, kter\u00fd se ke m\u011b p\u0159idal. S\u00e1m u\u017e m\u00e1 zku\u0161enosti s programov\u00e1n\u00edm her, zejm\u00e9na pak p\u0159ed\u011bl\u00e1v\u00e1n\u00edm deskovek (Agricola, Osadn\u00edci z Katanu, Galaxy Trucker\u2026) do PC verze a vytvo\u0159en\u00edm AI (na t\u011bchto hr\u00e1ch pracoval se sv\u00fdm bratrem, kter\u00fd se k n\u00e1m pravd\u011bpodobn\u011b \u010dasem t\u00e9\u017e p\u0159id\u00e1.
\n
\n\"Arbova<\/a><\/p>\n

Obr\u00e1zek 1 \u2013 Arbova pr\u00e1ce \u2013 p\u0159ed\u011bl\u00e1vka stoln\u00edch her do PC v\u010detn\u011b UI. Vlevo Osadn\u00edci z Katanu, vpravo Agricola<\/h4>\n

\nMoment\u00e1ln\u011b pracuje v jedn\u00e9 nejmenovan\u00e9 softwarov\u00e9 spole\u010dnosti na \u010d\u00e1ste\u010dn\u00fd \u00favazek. Vystudoval bakal\u00e1\u0159e v IT odv\u011btv\u00ed a jeho snem je t\u00e9\u017e, jako m\u00fdm \u017eivit se tvorbou her. Na h\u0159e zast\u00e1v\u00e1 roli hlavn\u00edho program\u00e1tora a spolupracuji s n\u00edm t\u00e9\u017e na mechanik\u00e1ch hry.
\n<\/p>\n

Daniel Nezmar \u2013 SPAFI<\/h3>\n

Kdybych tady m\u011bl jmenovat v\u0161echno, co Dan je a co um\u00ed, tak bych mu mohl v\u011bnovat cel\u00fd blog. Dan je osoba, se kterou jedn\u00e1m jako\u017eto p\u0159edstavitelem SPAFI. M\u00e1 za sebou spoustu p\u0159ev\u00e1\u017en\u011b nehern\u00edch projekt\u016f (video, audio, klipy\u2026).
\n
\n\"Danova<\/a><\/p>\n

Obr\u00e1zek 2 \u2013 Danova p\u0159edchoz\u00ed pr\u00e1ce \u2013 Vlevo podvodn\u00ed sv\u011bt, vpravo klip pro skupinu Wohnout \u2013 Zp\u011bv\u00e1k na inzer\u00e1t<\/h4>\n

\nNa\u0161e spolupr\u00e1ce spo\u010d\u00edv\u00e1 v grafice. Dan si vzal pod k\u0159\u00eddla kompletn\u00ed grafiku hry, tak\u017ee si \u0161\u00e9fuje ostatn\u00ed grafiky a to v\u010detn\u011b grafik\u016f zm\u00edn\u011bn\u00fdch v p\u0159edchoz\u00edch bloc\u00edch. D\u011bl\u00e1 z\u00e1kladn\u00ed level design, animace a pod\u00edl\u00ed se i na mocapu.
\n<\/p>\n

Yeve Drovossekova \u2013 SPAFI<\/h3>\n

Yevinino portfolio<\/a>
\nYeve poch\u00e1z\u00ed z Kazachst\u00e1nu a je v \u010cech\u00e1ch u\u017e n\u011bjakou tu dobu. I ona m\u00e1 za sebou spousty pr\u00e1ce v grafice. Zejm\u00e9na pak ve 2D a art odv\u011btv\u00ed, \u010d\u00edm\u017e p\u0159isp\u00edv\u00e1 pr\u00e1v\u011b i do Aledornu.
\n
\n\"Uk\u00e1zky<\/a><\/p>\n

Obr\u00e1zek 3 \u2013 Uk\u00e1zky z Yevininy p\u0159edchoz\u00ed pr\u00e1ce<\/h4>\n

\nYeve pro n\u00e1s d\u011bl\u00e1 zejm\u00e9na 2D grafiku a to p\u0159ev\u00e1\u017en\u011b jej\u00edm osobit\u00fdm Art \u2013 stylem, bez kter\u00e9ho by se \u017e\u00e1dn\u00e1 po\u0159\u00e1dn\u00e1 hra rozhodn\u011b neobe\u0161la. V\u011bt\u0161ina ikon, obr\u00e1zk\u016f karet, kouzel a dovednost\u00ed je pr\u00e1v\u011b od n\u00ed.
\n<\/p>\n

Tom\u00e1\u0161 Studni\u010dka \u2013 SPAFI<\/h3>\n

Dal\u0161\u00edm z \u0159ad grafik\u016f z\u00edskan\u00fdch z o.s. SPAFI je Tom\u00e1\u0161. Na na\u0161em projektu pracuje na animac\u00edch. Spole\u010dn\u011b s n\u00edm jsme d\u011blali ve\u0161ker\u00e9 mocapovac\u00ed pr\u00e1ce a Tom\u00e1\u0161 je pot\u00e9 d\u00e1le upravoval, aby byly pou\u017eiteln\u00e9 pro hern\u00ed modely.
\n<\/p>\n

Jaroslav \u201cJerry\u201d Knotek<\/h3>\n

Jarda je nejmlad\u0161\u00edm \u010dlenem t\u00fdmu. Letos teprve fini\u0161uje st\u0159edn\u00ed \u0161kolu. I tak ov\u0161em odvedl kus pr\u00e1ce. Naprogramoval pro n\u00e1s kompletn\u011b minihru \u2013 kostky, kter\u00e1 bude hrateln\u00e1 po cel\u00e9m sv\u011bt\u011b Aledornu.
\nJarda pro n\u00e1s pracuje jako program\u00e1tor \u2013 junior.
\n<\/p>\n

Jaroslav \u0160lajch<\/h3>\n

O Jardovi u\u017e jsem mluvil v p\u0159edchoz\u00edch bloc\u00edch. Jarda se k n\u00e1m po n\u011bkolika m\u011bs\u00ed\u010dn\u00ed odmlce vr\u00e1til a op\u011bt d\u011bl\u00e1 na grafice na\u0161eho prost\u0159ed\u00ed. Dan si ho vzal pod sv\u00e1 k\u0159\u00eddla a pracuj\u00ed spolu zejm\u00e9na na texturov\u00e1n\u00ed a UVW map\u00e1ch. D\u00e1le v jejich spolupr\u00e1ci vznik\u00e1 i skript na tvorbu m\u011bstsk\u00e9 z\u00e1stavby.
\n
\n\"Jardova<\/a><\/p>\n

Obr\u00e1zek 4 \u2013 Jardova p\u0159edchoz\u00ed pr\u00e1ce, vlevo \u2013 datab\u00e1ze model\u016f, vpravo \u2013 n\u011bco z microelektrotechniky<\/h4>\n

<\/p>\n

Martin Sou\u010dek<\/h3>\n

Martin se k n\u00e1m p\u0159idal d\u00edky tomu, \u017ee si n\u00e1s na\u0161el na webu. Pracuje na 3D modelech budov do m\u011bstsk\u00e9 z\u00e1stavby. Takt\u00e9\u017e spolupracuje s Danem, na tom co je pr\u00e1v\u011b t\u0159eba.
\n
\n\"Martinova<\/a><\/p>\n

Obr\u00e1zek 5 \u2013 Martinova p\u0159edchoz\u00ed pr\u00e1ce, vlevo animace pras\u00e1tka, vpravo lokace s lesem<\/h4>\n

<\/p>\n

Zdenek Rygl \u2013 SPAFI<\/h3>\n

Se Zde\u0148kem jsem se sezn\u00e1mil t\u00e9\u017e prost\u0159ednictv\u00edm Dana a SPAFI. Zdenek \u00fa\u010dinkuje v \u0161erm\u00ed\u0159sk\u00e9m divadle a takt\u00e9\u017e pro n\u011bj p\u00ed\u0161e sc\u00e9ny. Na DoA d\u011bl\u00e1 zejm\u00e9na herce pro motion capture, korekci dialog\u016f a pom\u00e1h\u00e1 t\u00e9\u017e ze sc\u00e9n\u00e1\u0159em.
\n
\n\"Zdenek<\/a><\/p>\n

Obr\u00e1zek 6 \u2013 Zdenek v akci<\/h4>\n

<\/p>\n

Marek Ka\u010daljak<\/h3>\n

Marek \u0161el studovat hru na klav\u00edr na konzervato\u0159, kde se ji\u017e b\u011bhem studia klasick\u00e9 hudby paraleln\u011b v\u011bnoval jazzov\u00e9 hudb\u011b a komponov\u00e1n\u00ed. Jako hudebn\u00edk pro\u0161el ji\u017e mnoh\u00fdmi hudebn\u00ed \u017e\u00e1nry. V\u0161echny zku\u0161enosti a r\u016fznorodost hudebn\u00edch \u017e\u00e1nr\u016f samoz\u0159ejm\u011b uplat\u0148uje v kompozic\u00edch vlastn\u00ed tvorby. Ke h\u0159e Aledorn pro n\u00e1s komponuje hudbu.
\n
\nUk\u00e1zky Markovi tvorby
\n
\nD\u00e1le jmenovit\u011b je\u0161t\u011b n\u011bkolik lid\u00ed, kte\u0159\u00ed n\u00e1m takt\u00e9\u017e velmi pom\u00e1haj\u00ed: Jakub Ejem (animace, motion capture), Ond\u0159ej Sz\u00f6nyi (marketing), Honza T\u0159\u00edska (asistence p\u0159i mocapu) a Heather Crowther (EN p\u0159eklad).
\n
\nTak nyn\u00ed u\u017e zn\u00e1te cel\u00fd n\u00e1\u0161 t\u00fdm. Te\u010f u\u017e jen dr\u017eet palce, a\u0165 vydr\u017e\u00edme a\u017e dokonce.<\/p>\n

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Toto by m\u011bl b\u00fdt posledn\u00ed blog z \u010d\u00e1sti o na\u0161em t\u00fdmu. P\u00e1\u010d od t\u00e9to f\u00e1ze u\u017e se toho tolik nezm\u011bnilo. J\u00e1dro t\u00fdmu je kompletn\u00ed a s mal\u00fdmi pauzami a obm\u011bnami\u2026 \u010d\u00edst v\u00edce →<\/a><\/p>\n

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